| Installations | Date | Length | Instrumentation | Venue/Funding/Performers/Notes |
|---|---|---|---|---|
| (heer) | 2010 | elec | site-specific image and sound installation for two Window Galleries at Canary Wharf, London | |
| Voice Atlas | 2008 | elec | commission for August Art, London, unexhibited | |
| Shadow Rounds | 2007 | elec | commission for Spitalfields, London, public art works - Charnel house archeological site; funds from SDG and Arts Council England | |
| Field Study 2 | 2002 | elec | Deluxe Gallery, London | |
| Field Study 1 | 1999 | elec | Colville Place Gallery, London | |
| Speakers | 1998 | elec | site - specific sound installation, NWAB Arts Science and Technology exhibitions | |
| Music works | ||||
| Tract: Piano Field/Lontano | 2014 | 6' | four pianos | Tract is a resetting of a much earlier very short piece for two pianos. It uses the available 4 pianos at Schott Recital room principally for its spatial layout. |
| Dream Machine | 2013 | 2 pianos, metronome sound track | First performance by Contakt at the Universal Listening Machines concert, Schott’s Recital Room, London, 11/5 | |
| From hear to here: a line of enquiry: a sketch | 2012 | 12' | voice, cello, electronics | Solo performance for the exhibition 'From Here to Here' Mile End Art Pavilion, London ‘… the line of wayfaring, accomplished through the practices of dwelling and the circuitous movements they entail, is topian…’ Tim Ingold, Lines: A Brief History |
| Ghost Studies | 2012 | 3 pno, voices, perc | Mixed graphic and notated score, written for Contakt ensemble performance at Schott's Recital Room 30//3/12 | |
| time folds | 2011 | 11'47" | pno, vln, vlc, sax, horn, vibes, perc, video | |
| Topodrome | 2011 | 12' | pno, vln, ob, video | |
| site_pitch_beat | 2010 | 5'28" | video | |
| imMaterialisations | 2009 | c17' | pno, ob, vb, elec | for Contakt ensemble |
| Monte Carlo Credo | 2008 | 1' | elec | |
| CODA | 2006 | c15' | satb voices, elec | |
| Still | 2006 | 7'53" | elec | Download MP3 |
| Radio Concert | 2006 | 60' | elec | for Resonance 104.4FM, London; created with Paul Burnell, Deborah Broderick, Ann Wolff, Rebekka Wedell |
| twilight / darkening | 2005 | m sop, elec | for Frances M Lynch | |
| Wonderful Night | 2004 | c15' | perc qtet | for Brake Drum Assembly Download MP3 |
| phrase transcriptions | 2003 | str qtet | ||
| Lure | 2003 | ob, elec | ||
| V | 2002 | c7' | mez sop, pno, perc | |
| Machine Code | 2002 | c4'30 | mixed orch ens | for CoMA, London Ensemble |
| Elements | 2001 | c8'30 | pno, vn, fl, perc, e | for IXION Ensemble |
| Meditation | 2001 | pno, elec | ||
| Lontano | 2000 | 2pno | Download MP3 | |
| for Andrea section 4 | 1999 | mixed voices, elec | graphic score | |
| for Andrea parts 1&2 | 1997-8 | solo m sop, ten | ||
| ...but the sound... | 1997 | mixed orch ens | ||
| Versus | 1997 | voice, pno | Graphic score created for Jane Manning/Jane's Minstrels; click here for detailed view | |
| Tuning no 1 | 1997 | elec | ||
| Sound Object for Ensemble (the weight) | 1995 | orchestra | graphic score |